Described as 'the great Verdian bass'(Le Figaro) and a 'Mefistofele who stood out over all the others' (Der Neue Merker), Carlo Colombra brings some of the most famous bass roles to life in this wide-ranging programme. Emotions range from the pride of Escamillo in Bizet's Carmen, through the terrors of Verdi's Attila, to the tender recollections of Rachmaninov's Aleko. Mephistopheles strides powerfully through both Gounod and Boito's operas, and Rossini's comic with contrasts with the darkness of Mussorgsky's Boris Godonov
Part 1
1 Flamenco Introduction
Carmen, Act II: Toreador Song: Votre toast, je peux vous le rendre
Don Carlo, Act III: Ella giammai m'amo!
Il barbiere di Siviglia (The Barber of Seville), Act II: La calunnia e un venticello
Simon Boccanegra, Prologue: Il lacerato spirito
Faust, Act IV: Vous faites l'endormie
Nabucco, Act II: Tu sul labrro de' veggenti fulminasti, o sommo Iddio
Mefistofele, Act II: Ecco il mondo
Attila, Act I: Mentre gonfiarsi l'anima parea
Aleko: Cavatina
Boris Godunov, Act IV: Proshchai moy syn (Farewell, my son)
2 End Credits