Un mari a la porte was premiered at the Bouffes-Parisiens on 22nd June 1859 and, chronologically, comes between two masterpieces such as Orphee aux enfers (21st October 1858) and Genevieve de Brabant (11th November 1859).
The libretto by Delacour and Morand offers a plot based on misunderstandings and misconceptions, something which characterized much of the contemporary French theatre and which would find its apotheosis, towards the end of the century, in the pochade and in Georges Feydeau's operas, in which, however the erotic and mischievous element always plays a prominent role that here is only present at the beginning (on his wedding night, Henri Martel, Suzanne's husband, wants to go into his bedroom but finds the door locked, because a debtor of his, a certain Florestan Ducroquet, has hidden in it and thrown the key out of the window).