One of the warmest personalities on the opera and concert stage today, soprano Diana Damrau has put together a beguiling program for her recital at the Festspielhaus Baden-Baden. The selection of Romantic to fin-de-siècle pieces not only underscores her own vocal artistry, but also pays tribute to her accompanist Xavier de Maistre and, in particular, to the diaphanous delicacy of his instrument, the harp.
The use of the harp to replace the piano in a voice recital is a truly unique and unexpected musical treat. De Maistre does more than simply transpose the piano part to his instrument; under the fingers of the Wiener Philharmoniker's solo harpist, the ethereal sound of this instrument melds consummately with the soprano's finely honed vocal part, so that the masterpieces by composers such as Schumann, Faure and Debussy sound as if they had been conceived for voice and harp.
The unrivalled intimacy of a chamber concert is conveyed by the placing of the soloists and public within touching distance on the stage of the Festspielhaus. This distinctly informal atmosphere is captured by Emmy Award winning director Brian Large. Discreetly highlighting the interpretative subtleties and spontaneous personality of Diana Damrau, he helps confirm her status as one of the most exciting, expressive and, above all, natural and unaffected sopranos of our time.
Part 1
1 Opening credits
Nuit d'etoiles (arr. for voice and harp)
Le Lilas (arr. for voice and harp)
Fleur des Bles (arr. for voice and harp)
Clair de lune (arr. for voice and harp)
Mandoline (arr. for voice and harp)
Beau Soir (arr. for voice and harp)
Apparition (arr. voice and harp)
2 Arabesques: No. 1 in E major (arr. for harp)
3 songs, Op. 7: No. 1 Apres un reve (arr. for voice and harp)
Clair de lune, Op. 46, No. 2 (arr. for voice and harp)
Serenade toscane, Op. 3, No. 2 (arr. for voice and harp)
3 songs, Op. 23: No. 1. Les berceaux (arr. for voice and harp)
Poeme d'un jour, Op. 21: No. 3. Adieu (arr. for voice and harp)
3 songs, Op. 23: No. 2. Notre amour (arr. for voice and harp)
Impromptu, Op. 86
Myrthen, Op. 25 (arr. for voice and harp) (excerpts)
2 No. 9. Lied der Suleika
3 No. 3. Der Nussbaum
4 No. 11. Lieder der Braut aus dem Liebesfruhling No. 1
5 No. 12. Lieder der Braut aus dem Liebesfruhling No. 2
6 No. 7. Die Lotosblume
Lieder-Album fur die Jugend, Op. 79: No. 23. Er ist's (arr. for voice and harp)
8 Gedichte aus Letzte Blatter, Op. 10, TrV 141: No. 2. Nichts (arr. voice and harp)
5 Lieder, Op. 48, TrV 202: No. 1. Freundliche Vision (A Friendly Vision) (arr. for voice and harp)
Schlichte Weisen, Op. 21, TrV 160: No. 1. All' mein Gedanken, mein Herz und mein Sinn (arr. voice and harp)
5 Lieder, Op. 41, TrV 195: No. 1. Wiegenlied (arr. for voice and harp)
8 Gedichte aus Letzte Blatter, Op. 10, TrV 141: No. 2. Nichts (arr. voice and harp)
4 Lieder, Op. 27, TrV 170: No. 4. Morgen (arr. for voice and harp)
5 Lieder, Op. 48, TrV 202: No. 3. Kling! (arr. for voice and harp)
6 Lieder, Op. 17, TrV 149: No. 2. Standchen (arr. for voice and harp)
Ave Maria (arr. for voice and harp)
Myrthen, Op. 25: No. 1. Widmung (arr. for voice and harp)
7 End credits