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DEBUSSY, C.: Pelleas et Melisande [Opera] (Malmo Opera, 2016)


Pelleas et Melisande
Composer: Debussy, Claude
Librettist/Text Author: Maeterlinck, Maurice
Conductor: Pascal, Maxime
Orchestra: Malmo Opera Orchestra
Chorus: Malmo Opera Chorus
Chorus Master: Kellinghaus, Andre

Arkel: Bronk, Stephen
Berger: Olcese, Stefano
Genevieve: Lyren, Emma
Golaud: Alvaro, Laurent
Medecin: Olcese, Stefano
Melisande: Daviet, Jenny
Pelleas: Mauillon, Marc
Yniold: Mathevet, Julie

Set Designer: Caron, Adeline
Costume Designer: Blanchot, Alain
Lighting Designer: Iger, Mael
Stage Director: Lazar, Benjamin


Date of Production: 11-2017
Venue: Malmo Opera
Playing Time: 02:54:36
Catalogue Number: BAC144
UPC: 3760115301443

Libretto
Pelleas et Melisande EN

Synopsis
Pelleas et Melisande

When Debussy completes the score, based on the eponymous symbolist play by Maurice Maeterlinck, of Pelleas et Melisande in 1902, the world of opera still abides by Richard Wagner and the upheaval he caused with Tristan und Isolde. But Debussy decides to stand on the exact opposite side, and uses his new opus to preach a new aesthetic creed. In depicting the forbidden love story between the timid Pelleas and the beautiful Melisande, kept apart by an unfortunate marriage, the French composer brings us back to the immortal legend of Tristan and Isolde, but this time showing the world that the future of music could very well lie far away from Wagner's overwhelming lyricism and outsized rhetoric.

This new production, created by one of the rising stars of French stage direction Benjamin Lazar for the Malmo Opera (headed by Ingmar Bergman from 1952 to 1958), encapsulates all the different aspects of this mysterious work, from the oniric poetry invented by Maeterlinck and Debussy to the realism, poignant because openly simple and even mundane, of these profoundly human beings lost in a forest full of sound and symbols that will never let them escape.

The young French conductor Maxime Pascal, the Orchestra of the Malmo Opera, and an almost all-French cast (among which the excellent Marc Mauillon and Jenny Daviet), bring forth with intelligence all the refinement and all the vitality this unique and fascinating score has to offer.

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