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MOZART, W.A.: Lucio Silla [Opera] (Teatro Real, 2017)


Lucio Silla, K. 135
Composer: Mozart, Wolfgang Amadeus
Librettist/Text Author: De Gamerra, Giovanni
Conductor: Bolton, Ivor
Orchestra: Madrid Teatro Real Orchestra
Chorus: Madrid Teatro Real Chorus
Chorus Master: Maspero, Andres

Aufidio: Tarver, Kenneth
Cecilio: Tro Santafe, Silvia
Celia: Moreno, Maria Jose
Giunia: Petibon, Patricia
Lucio Cinna: Kalna, Inga
Lucio Silla: Streit, Kurt

Set Designer: Schmidt, Christian
Costume Designer: Schmidt, Christian
Lighting Designer: Voss, Manfred
Stage Director: Guth, Claus
Television Director: Cuvillier, Jeremie


Date of Production: 10-2017
Venue: Teatro Real, Madrid
Playing Time: 03:00:40
Catalogue Number: BAC150
UPC: 3760115301504

Mozart was not yet seventeen when Lucio Silla was created in Milan one December evening of 1772, yet we can still distinguish in this youthful composition some of the elements that established the exceptionally-gifted child musician as the greatest composer of all times. Indeed, with Lucio Silla, although a neoclassical "opera seria" in every way, it seems that Mozart was already learning to deconstruct and to free the traditional forms of musical drama from archaic conventions. We can also identify in this work an aesthetic premise that Mozart didn't formulate until ten years later: it falls to music only to express and to reveal the psychological depths of the characters; and the poetry in the libretto should only be its "obedient daughter".

The opera is centered around the love roman dictator Lucio Silla bears for his enemy's daughter Giunia, who favours the exiled senator Cecilio as the object of her affection. After many twists and turns, the lovers are united in marriage and Silla renounces his crown.

Tenor Kurt Streit is Lucio Silla, and soprano Patricia Petibon is Giunia for the last time, after having gained international recognition thanks to her numerous performances in this role, while mezzo-soprano Silvia Tro Santafe is the ardent Cecilio. In this monumental production, Claus Guth finds a way to respect both the classical setting and the formal innovations that make the opera so interesting. Ivor Bolton conducts the Orchestra and Chorus of the Teatro Real.

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