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LAZAR, B. / CHEMLA, J. / HUBERT, F.: Traviata [Opera] (after A. Dumas (fils) and G. Verdi) (Theatre des Bouffes du Nord, 2017)


Traviata - Vous meritez un avenir meilleur (after A. Dumas (fils) and G. Verdi)
Composer: Lazar, Benjamin
Composer: Chemla, Judith
Composer: Hubert, Florent
Conductor: Hubert, Florent
Conductor: Escobar, Paul

Accordion: Levasseur, Gabriel
Alfredo Germont: Bigourdan, Damien
Baron Douphol: Locher, Benjamin
Cello: Hetzel, Myrtille
Clarinet: Ciofolo, Axelle
Double bass: Bris, Bruno Le
Flora Bervoix et Anina: Chauvin, Elise
Giorgio Germont: Billy, Jerome
The Doctor: Baffi, Florent
Trombone: Llado, Sebastien
Violetta Valery: Chemla, Judith
Violin: Salvat, Marie

Set Designer: Caron, Adeline
Costume Designer: Brochier, Julia
Lighting Designer: Iger, Mael
Stage Director: Lazar, Benjamin


Date of Production: 17-01-2020
Venue: Theatre des Bouffes du Nord, Paris
Playing Time: 02:10:40
Catalogue Number: BAC156
UPC: 3760115301566

An overpowering and paradoxical perfume of dream and reality floats around La Traviata, as if the life and death of this so-called 'errant' woman seem more real and more elusive than those of other opera heroines. It is with this perfume, composed of rare flower essences, of alcohols, of prescription drugs, of skins caressed, of seemingly odourless money, that Giuseppe Verdi deeply impregnated his musical material, just at the time when the perfume of the story of the courtesan Marie Duplessis, who died in 1847, six years before the opera was created in Venice, was evaporating.

In Traviata - You Deserve a Better Future, the audience is invited into Violetta's privacy to have a close look at the fire to which she abandons herself among the guests of this musical and phantasmagorical celebration that blends theatre and opera, voices that speak and sing; and where the distinction between the instrumentalists and the singers becomes blurred, where Charles Baudelaire is seated next to Christophe Tarkos, and where the phantoms of this Paris in full industrial boom whose future we are living in at present, sing and die.

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