ROSSINI, G.: Barbiere di Siviglia (Il) [Opera] (Arena di Verona, 2018)
Il barbiere di Siviglia (The Barber of Seville)
Composer: Rossini, Gioachino
Librettist/Text Author: Sterbini, Cesare
Conductor: Oren, Daniel
Orchestra: Arena of Verona Orchestra
Ensemble: Arena of Verona Ballet
Chorus: Arena of Verona Chorus
Chorus Master: Lombardi, Vito
Bartolo: Lepore, Carlo
Basilio: Furlanetto, Ferruccio
Berta: Custer, Manuela
Figaro: Nucci, Leo
Fiorello/Ambrogio: Ceriani, Nicolo
Il Conte d'Almaviva: Korchak, Dmitry
Rosina: Machaidze, Nino
Un ufficiale: Abuladze, Gocha
Set Designer: Ana, Hugo de
Costume Designer: Ana, Hugo de
Lighting Designer: Ana, Hugo de
Choreographer: Lojodice, Leda
Stage Director: Ana, Hugo de
Date of Production: 08-2018
Venue: Arena di Verona
Playing Time: 02:41:37
Catalogue Number: BAC169
UPC: 3760115301696
Libretto
Il barbiere di Siviglia (The Barber of Seville)
Gioacchino Rossini was only 23 years old when he wrote what was to become his most famous opera, composed after the scandalous eponymous play by Beaumarchais. Il Barbiere di Siviglia premiered in Rome in 1816: an innovative work, full of sophistication and finesse that first intrigued the Italian public, before winning over the entire peninsula and the rest of the world.
The opera displays with great clarity the essence of the Rossinian revolution: situation comedy, sharp criticism of social hypocrisy, together with a witty musical style, the glory of belcanto, and the contagious energy of assertive melodic lines. With the adventures of the factotum Figaro and his master Almaviva, looking to seduce the beautiful Rosina and steal her away from the old Bartolo; through the endless criss-crossing of this lover's chase, Rossini was to begin a new chapter in Italian opera, and forge a new brand that shaped the musical landscape of the 19th century.
For this reprisal of Hugo de Ana's famous staging at the Arena di Verona, Rossini's masterpiece is conducted by Maestro Daniel Oren. Italian baritone Leo Nucci, a true connoisseur of the part, is a boastful and virtuoso Figaro, while soprano Nino Machaidze and tenor Dmitry Korchak are perfect as the not-so-candid lovers around whom the opera revolves. And who better than Italian bass Ferruccio Furlanetto, who shines in the Calunnia aria, for the part of Basilio?
