In Pyotr I. Tchaikovsky's last opera Iolanta, a blind princess is searching for the source of her sadness and finds love. In Igor Stravinsky's neoclassical one-act buffa Mavra, an ingenious young woman has a risky idea and smuggles her lover, disguised as a cook, into her mother's house.
Stage director Axel Ranisch interweaves those two works, resulting in a coming-a-of-age fairy tale on family, love, knowledge and self-determination: Mavra and Iolanta are becoming Mavra/Iolanta.
Part 1
1 Opening
Iolanta, Op. 69 (reduced orchestration by R. Whilds)
2 Introduction: Iolanta Overture
Mavra (arr. P. Phillips)
3 Part 1: Oh, my dearest, my dearest dearest one
Iolanata: Scenes 1-3
4 Iolanta, my little child
5 Why, until now, have I never known anguish
6 Come now, my dear
7 Brigitta, is that you?
8 Sleep, may the angels carry you away
Iolanta: Scenes 4-5
9 A horn!
10 O Lord, is it for my sins
11 Your face is sealed tight
12 Two worlds, that of the flesh and that of the spirit
Mavra: Part 2
13 Good morning, good morning to you!
Iolanata: Scenes 6-7
14 Don't run, it's so dark here! - Who can compare with my Mathilde
15 But where are we?
16 You appeared to me like a heavenly vision of pure beauty
17 I don't understand your silence
18 The first wonder of creation
Iolanta: Scene 8
19 Iolanta, where are you?
20 No, speak to me of pain and suffering!
Iolanta: Scene 9
21 Finale: Pardon me
22 Godefroy, I've come to save you
23 Good, immense and eternal God
Mavra: Part 3
24 Overture
25 Parasha!
26 Applause - Curtain Call
27 End Credits