On the afternoon of 19 August 1950, a young boy in short trouser climbed the steps to the stage of the Sala Beyer in Buenos Aires to make his piano debut. 50 years later, Daniel Barenboim returned "to the scene of the crime" to give an ecstatically received recital at Teatro Colon which will go down in history as one of the musical events of the 21st century.
Part 1
1 Opening credits
Piano Sonata No. 10 in C major, K. 330
2 I. Allegro moderato
3 II. Andante cantabile
4 III. Allegretto
Piano Sonata No. 23 in F Minor, Op. 57, "Appassionata"
5 I. Allegro assai
6 II. Andante con moto
7 III. Allegro ma non troppo
Iberia, Book 1
8 I. Evocacion
9 II. El puerto
10 III. Fete-Dieu a Seville
Iberia, Book 2
11 I. Rondena
12 II. Almeria
13 III. Triana
Encores
Keyboard Sonata in D Minor, K.434/L.343/P.498
3 Danzas argentinas, Op. 2: No. 2. Danza de la moza donosa
Bailecito
Prole do bebe No. 1: O Polichinello
6 Moments musicaux, Op. 94, D. 780: No. 3 in F Minor: Allegro moderato
Waltz No. 14 in E minor, Op. posth.
Papillons
Nocturne No. 8 in D flat major, Op. 27, No. 2
Waltz No. 6 in D-Flat Major, Op. 64, No. 1, "Minute"
Fantasiestucke, Op. 12 (excerpts)
14 No. 1. Des Abends
15 No. 2. Aufschwung
Etude No. 14 in F Minor, Op. 25 No. 2
Piano Sonata No. 16 in C Major, K. 545, "Sonata facile": II. Andante