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TCHAIKOVSKY, P.I.: Iolanta [Opera] (Teatro Real, 2012)


Iolanta, Op. 69
Composer: Tchaikovsky, Pyotr Il'yich
Librettist/Text Author: Tchaikovsky, Modest
Conductor: Currentzis, Teodor
Orchestra: Madrid Teatro Real Orchestra
Chorus: Madrid Teatro Real Chorus
Chorus Master: Maspero, Andres

Almeric: Efimov, Vasily
Bertrand: Kudinov, Pavel
Brigitta: Churilova, Irina
Ibn-Hakia: White, Willard
Iolanta: Scherbachenko, Ekaterina
King Rene: Ulyanov, Dmitri
Laura: Singleton, Letitia
Marta: Semenchuk, Ekaterina
Robert: Markov, Alexey
Vaudemont: Cernoch, Pavel

Set Designer: Tsypin, George
Costume Designer: Pakledinaz, Martin
Lighting Designer: Ingalls, Frank
Stage Director: Sellars, Peter
Television Director: Sellars, Peter


Date of Production: 2012
Playing Time: 01:46:02
Catalogue Number: EuroArts5917

Iolanta, Tchaikovsky's final opera, in Peter Sellars' 2012 production at the Teatro Real in Madrid. Premiered in 1892, it is a one-act work based on the Danish play Kong Renes Datter (King Rene's Daughter) by Henrik Hertz, a romanticized account of the life of Yolande de Bar. It contains all aspects of the composer's mastery: beautiful melodies, clear structure and genuine passion. Sellars paints this production as a spiritual quest in search of light.

Iolanta is a young princess, who doesn't know that she is blind. Her father, the king, has forbidden his people from telling her the truth. A young knight, Count Vaudemont, stumbles upon the princess's hidden castle and falls hopelessly in love with her. As he declares his love, he realizes she is blind. Vaudemont begins passionately explaining to Iolanta what light and color are when they are discovered by the King. Aware that the princess is now aware of her blindness and that she has no intention of curing it, King Ren? gives Iolanta an ultimatum: if she does not accept to be treated for her blindness, he will execute the young knight. Horrified by her father's words, Iolanta agrees in order to save her beloved. Once cured, she confirms with her own eyes that her beloved Vaudemont has been spared. Rejoicing, Iolanta sings the praises of love and God.

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