The British director David Pountney lets the entertaining tale unfold accompanied by the many spectacular effects for which he has become internationally famous. Monumental props are embellished with skilled, clean-cut directing work, seasoned with a healthy portion of black humour. In the final scene the audience sees dramatic gallows dangling with numerous corpses, all turning in time to the music of a waltz.
Strauss himself loved this work. It was the last of his stage works for which he conducted the premiere performance. He described it as "generally speaking a much more cheerful work than Der Zigeunerbaron."
Strauss's felicitous orchestration, languorous melodies, and endless inventiveness ensure over 2 hours of pleasure for all who invest in this unique piece of theatre.