Blow's 1683 Venus and Adonis - a masque for the entertainment of the King, Charles II, who had enjoyed French opera in Paris during the years of the Interregnum - is widely regarded as the first English opera. A truly groundbreaking work, it is largely through-composed, rather than resorting to separate setpieces, distinct arias and spoken dialogue, and this greatly heightens its dramatic impact.
The final G Minor chorus (Mourn for thy servant) takes the form of a funeral march and offers scant consolation for the fallen goddess, "the wretched Queen of Love in this forsaken grove".