Quartet No. 2, Quartetto facile in four movements, organised in a traditional pattern with the scherzo-like second movement followed by a slower third movement, has thematic material which is present in all the movements. Narrow intervals that expand and contract once more in a way that owes a debt to Bartok's motif technique, but that maybe is also a portent of the grid that emerges almost 15-20 years later? In the conclusion of the third movement, quiet trills form a static sound image that simultaneously shows the influence of Bartok and points forward towards the motionless cicada noise of the fourth quartet.