Beethoven's most important chamber work for violin - allows the sonata's concertante quality to emerge in a new light. The Cello Sonata No. 3 equally succeeds in conceiving the piano part for ensemble, while exploring fullness of sound and maintaining transparency of texture. Beethoven achieved the greatest possible balance between cello and piano, which Paul Struck has transferred with a sensitive touch to his arrangement for solo cello and string ensemble.
Featuring the third movement, instead of a slow movement, Beethoven composed a short, dreamlike introduction to the lively final rondo, which spurred all participants to render a joyful performance.