In 1796, a year after the successful publication of the three sonatas Op. 2, Beethoven composed the Grande Sonata for Pianoforte, Op. 7. By the Grande designation, Beethoven wanted to single it out as a special work, which didn't need other sonatas to be published as an opus. Later, he would give the same epithet to the Pathetique, the Waldstein and the Hammerklavier.
Boris Giltburg is lauded worldwide as a deeply sensitive, insightful and compelling interpreter, with critics praising his impassioned approach to performance. This project to record all of Beethoven's 32 piano sonatas is a personal exploration for Giltburg, driven by curiosity and his profound respect for the composer.