Richard Strauss' orchestral works contain a wealth of autobiographical allusions. This is equally true of the whimsical tone-poem Till Eulenspiegel, opus 28, which was completed in 1895. Strauss felt badly treated by the public in his home town of Munich, because his neo-Wagnerian opera Guntram had closed after only a single performance. In fact he had already planned a one-act stage work about the pranks of the legendary rascal Till Eulenspiegel and his 'victims', the town of Schilda's narrow-minded petit bourgeois citizens. The openly programmatic composition with its phenomenal audacity and unique demands on orchestral technique simultaneously shocked and delighted his public.