The lecture for this masterclass with Schellenberger begins with the correction of a note just at the end, and the articulation for a certain trill. As regards the performance of the theme for this movement Finale, according to the professor's opinion, it is necessary to do more phrasing, mainly for the horns. Schellenberger also corrects the sound balance of the double voices and other issues mainly related to dynamics.
Afterwards, the professor explains how the oboe gesture should be in order to bring in correctly. The group must try to play very lively and virtuoso. Besides, Schellenberger thinks that the central section has started a little too late. He also corrects the articulation in a specific ascending scale, and regarding the theme, he suggests the bassoonists to play more legato, following the chromatic line to obtain a beautiful effect. Finally, Prof. Schellenberger makes some brief indication related to the rapport and the misterioso character for a certain moment.