This piece requires different colors, so Professor Fried advises the student not to play with the same bow direction, distribution or speed. At the beginning, the sound should be low, and then it should gradually increase with vibrato. Regarding vibrato, it is recommended to place the flat finger on the string.
Finally, Miriam Fried gives an indication about character and tempo for the cadenza, and other aspects like glissandi and fingering according to the style of the period.