Menahem Pressler begins highlighting the difference regarding the sound power and balance that must exist between this work by Tchaikovsky (where the performers must have an equitable treatment) and his concertos (with a soloist character).
Pressler explains how to perform and transmit feelings through this work. He also gives some advice on other aspects, such as articulation and phrasing, tempo, vibrato, rhythm, and the clarity of sound in the solos; as well as on the differentiation in certain passages between the soloist and the orchestral tutti.