The first orchestral excerpt played by the student is well-controlled, just it's not advisable to put too much stress in some notes. After a brief comment on a performance of this composition by the London Symphony Orchestra, Bennett notes that in a passage of The Charlatan's Booth, she needs more energy on the up, and he makes some indications about vibrato so she could improve this. Regarding the waltz The Ballerina and the Moor, the professor makes some comments on the character, phrasing and articulation, mainly.