At the beginning of the masterclass, Professor Thunemann makes some corrections on vibration and phrasing, breathing or dynamics related to the Recitativo (part A of the first movement) from this Jolivet's Bassoon Concerto. They work also on trills, rhythm and contrasts.
About the Allegro gioviale (part B of this first movement), Professor Thunemann makes some indications on rhythm and dynamical contrast. Especially, Prof. Thunemann stresses the importance on articulation and duration for the notes of this part B. Besides, they work on phrasing and character. About the tempo, the metronome should be at 104 to be able to understand this piece. Finally, Klaus Thunemann focuses on the syncopation to get the required 'jazzy' character.