Professor Thunemann gives some advice related to the phrase structure at the beginning of the piece. He makes some corrections on several notes, dynamics, breathing and rhythm.
The professor transmits to the student the need to have a meticulous respect to the score accuracy. He comments the specific legato in a passage and gives some indications on vibrato to be followed by the students: French music has to be performed with more vibrato in high pitches.
Regarding the tempo, it is necessary to play more fluent, trying not to slow down.