Of all the death dances of the theatre, that of King Lear is the virtuoso piece. The cheerful melancholy of old age makes the varnish, which lends its content to any production of the classical king's drama.
In the present production, two meet each other, who have previously proven that they have copied a lot of life: Luc Bondy and Gert Voss, grandees of the director and drama theatre, leftover of the last, the great theatre century. On the stage of the Burgtheater in Vienna they celebrate their Lear. Danced by a fool with Berlin snot on smock, Birgit Minichmayr as a congenial humorous poetic fish, Voss brings out the last battle, plays the great, the powerful instrument of his acting and wins the game in which he demonstrates losing, as we do Everybody will do it in the public armchairs: we lose our lives when we lose our love.
With King Lear, after two theater films, the theater edition is once again dedicated to the recording of a stage production that was created at the Vienna Burgtheater in 2007 by Peter Schonhofer: the dense, high-resolution observation of a finely crafted staging.
Wolfgang Bergman