After his success with Freischütz, Weber wanted to write a grand romantic opera and in the end the subject of Euryanthe was chosen, a tale inspired by a legend going back to the thirteen century. Euryanthe is music of inspiration and originality such as is rarely found in the history of German opera in the first half of the nineteenth century. The Italianisms that are occasionally glimpsed in Freischütz are eliminated almost completely. Euryanthe is set to music in its entirety, with accompanied recitative passages that are often of great beauty. We may say that in an opera that has many experimental features Weber sought for the first and only time in his life to overcome the traditional dichotomy between spoken and sung parts, between recitative and closed numbers, creating a highly supple musical structure. The present production features a cast of specialists of German opera and the outstanding direction of Pier Luigi Pizzi.
Part 1
Euryanthe, J. 291
Act I
1 Overture
2 Dem Frieden Heil nach Sturmestagen! (Chorus)
3 Unter bluh'nden Mandelbaumen (Adolar)
4 Ich trag' es nicht! (Lysiart)
5 Wohlan! Du kennst mein herrlich Eigenthum (Lysiart)
6 Glocklein im Thale! Rieseln im Bach (Euryanthe)
7 So einsam bangend find' ich Dich? (Eglantine)
8 O mein Leid ist unermessen (Eglantine)
9 Unter ist mein Stern gegangen (Euryanthe)
10 Bethorte! Die an meine Liebe glaubt (Eglantine)
11 Jubeltone, Heldensohne (Chorus)
12 Graf Lysiart, edle Ritter, seid willkommen! (Euryanthe)
Act II
13 Wo berg' ich mich? (Lysiart)
14 Der Gruft entronnen, athme ich wieder (Eglantine)
15 Komm denn unser Leid zu rachen! (Eglantine)
16 Wehen mir Lufte Ruh (Adolar)
17 Leuchtend fullt die Konigshallen (Chorus)
18 Ich gruss' Euch, edles Fraulein! (Konig)
19 Dies Engelantlitz kann nicht lugen, nein! (Adolar)
20 Lass mich empor zum Lichte wallen (Euryanthe)
21 Komm! Euryanth'! (Adolar)
22 Du gleissend Bild, du bist enthullt! (Adolar, Konig, Lysiart)
Act III
23 Hier weilest du? Hier darf ich ruhn? (Euryanthe)
24 Schirmender Engel Schar (Euryanthe)
25 So bin ich nun verlassen (Euryanthe)
26 Die Thale dampfen, die Hohen gluhn! (Chorus)
27 Lasst mich hier in Ruh erblassen (Euryanthe)
28 Zu ihm, zu ihm! O weilet nicht! (Euryanthe)
29 Ballet
30 Der Mai bringt frische Rosen dar (Bertha)
31 Vernichte kuhn das Werk der Tucke (Chorus)
32 Das Frevlerpaar! Weh! diesem Bunde! (Chorus)
33 Trotze nicht, Vermessener! (Chorus)
34 Lasst ruhn das Schwert (Konig)
35 End credits