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WAGNER, R.: Meistersinger von Nurnberg (Die) (Bayreuth Festival, 2008)


Die Meistersinger von Nurnberg (The Mastersingers of Nuremberg)
Composer: Wagner, Richard
Librettist/Text Author: Wagner, Richard
Conductor: Weigle, Sebastian
Orchestra: Bayreuth Festival Orchestra
Chorus: Bayreuth Festival Chorus
Chorus Master: Eberhard, Friedrich

A Nightwatchman: Rohlig, Friedemann
Augustin Moser: Heibach, Stefan
Balthasar Zorn: Randall, Edward
David: Ernst, Norbert
Eva: Kaune, Michaela
Fritz Kothner: Eiche, Markus
Hans Foltz: Randes, Diogenes
Hans Sachs: Hawlata, Franz
Hans Schwarz: Macco, Andreas
Hermann Ortel: Snell, Martin
Konrad Nachtigall: Zaun, Rainer
Kunz Vogelgesang: Reid, Charles
Magdalene: Guber, Carola
Sixtus Beckmesser: Volle, Michael
Ulrich Eisslinger: Lazar, Hans-Jurgen
Veit Pogner: Korn, Artur
Walther von Stolzing: Vogt, Klaus Florian

Set Designer: Steffens, Tilo
Costume Designer: Steffens, Tilo
Costume Designer: Barth, Michaela
Lighting Designer: Gruter, Andreas
Stage Director: Wagner, Katharina
Television Director: Morell, Andreas


Date of Production: 27-07-2008
Festival: Bayreuth Festival
Venue: Bayreuth Festspielhaus
Playing Time: 04:45:00
Catalogue Number: OA1041D
UPC: 809478010302

Libretto
Die Meistersinger von Nurnberg (The Mastersingers of Nuremberg)

Synopsis
Die Meistersinger von Nurnberg (The Mastersingers of Nuremberg)
Die Meistersinger von Nurnberg (The Mastersingers of Nuremberg)

Ostensibly Richard Wagner's opera Die Meistersinger von Nurnberg tells a humorous tale about artistically inclined craftsmen. Goldsmith Veit Pogner promises his daughter Eva's hand in marriage to the winner of a song contest, to which three men are potentially eligible. But upon closer inspection, what is at first glance a harmless farce in a middle-class setting emerges as a profound social analysis. Wagner uses his protagonists to show how a community deals with tradition and those who break with it and just how much innovation and deviation from the norm it can tolerate ?EUR" as well as to examine what value society places, and should place, on art.

Bonus features:
- The Making of Die Meistersinger von Nurnberg

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